Interesting to try to write a few lines while my students tap away at their computers here in the bowels of Australian Catholic Uni in North Sydney, as we near the end of the southern sojourn: this is the first of the two final exams I am giving like a good little soldier of the University Writing Program, and as usual I kick myself for not having done X or Y or having done Z instead of W.
One thing that is good of course is that I did squeaky-wheel enough to secure this computer classroom (hatefully Windows-ish though it might be) for my little end-of-term activities. I think I have successfully parsed these last few days out well enough that the kidlets have enough to do but not too much at the very end. I have never been less in the mood to hear their bellyaching, I must admit, especially since I am pretty sure I have done my very last 3-year merit review before retirement. This means that I will have neat typescript to read, instead of Today's Students' Bad Penmanship, the successful deciphering of which has always been a source of perverse pride for me.
That said, I always like to feel decent about what I have done, and in many respects I do--to the point where I actually have mentioned the possibility of an Inverness reunion for this crew next quarter, something that I frankly have never felt like even entertaining with previous groups I've had abroad. Sure, if I could select a subset I might well have a couple of dozen from 2009-10-11, but no way would I have wanted the whole group of any of those years. But this cohort--I could see it. With the adding-by-subtraction at midquarter, it's a pretty congenial bunch of people who mostly seem to like each other--in stark contrast to what I have seen from some of the other groups that this agency is hosting here in Sydney.
It'll be interesting also to see how my exit interview goes with the people who organize on this side: what they get from me is likely not to be the most cheerful little earful, as I have found about five things that really have stuck in my craw and / or my students'. Some of it may be style, but some of it most definitely is substance, and I am really hoping I can Keep My Temper when I do try to air some of these concerns. In retrospect it is easy to see some of the shoulda-coulda-wouldas, but there are also some plain old mismanagement issues that I didn't realize would loom so large. Very odd.
Of course, my temper has been frayed unexpectedly on the homefront by construction noise from the apartments upstairs, unthinkably loud and relentless, sort of like living inside an industrial blender filled with cement chunks. I am not exaggerating here--the construction is steel-reinforced concrete, and there've been "Kangas" (smallish jackhammers) working from 8 to 5 for the last week, completely gutting the place, including the tiles on the floor and walls and balconies. Today as I wrapped up the final exam prompt before skedaddling (I'd swum at Balmoral in the gray overcast, then retreated to a cafe to scribble after changing), the symphony was interleaved with gigantic sledgehammer blows as walls came down, and the balcony shook as debris was sent down the chute at the other end. No matter how hot and muggy, our windows and screen doors are closed because of the dust--but there is good news: the rapacious folks at the rental agency are supposedly going to forgive our last three nights' rent that we otherwise would be paying for (there was a minimum 90 day stay requirement in the fine print, and we are leaving for New Zealand next Wednesday). Not that anyone passed along to us the news that this construction was imminent, or that most of the inhabitants were finding alternative arrangements (like living in a steel mill, for the quiet).
So yeah--as if the 14-year-old punk isn't enough, we've had "tradies" to deal with starting at 7AM (though they are not allowed to "make noise" until 7:59). Grim. OK. No pictures on this one (for some reason the ACU wifi has crapped out so I am typing on a Dell), but I will get more done tomorrow perhaps. As soon as I collate all the chillun's e-mailed versions I will hustle my heinie back to Mosman High to catch Alex in another performance, this one without the high production values....
Wednesday, November 28, 2012
Tuesday, November 27, 2012
Entering the homestretch
Yes we are approaching the endgame here, as I try to figure out how to spend the last little bit of Activity Fund money (the agency alleges that it is use-or-lose, which I find hard to believe), and as with all endings this one is tinged with relief but also regret and pre-nostalgia (I think that was a Tom Lehrer coinage): there are aspects of this place and even this group that I am going to miss.
Of course there are the obvious things, like the many many different ways in which the Opera House is on my list of the World's Coolest Buildings (this photo was taken on a warm evening when Amelie and I spontaneously decided to take in a Symphony concert in the big hall, and as I waited for her on the esplanade from the ferry terminal I was again struck by how casually wonderful this place is. The sound was great by the way, even from where we were, up in a side area back of the orchestra where we could spy on the percussion section as they busied themselves with the Rachmaninoff 4th Piano Concerto and Tchaikowsky's Manfred. Very cool.
But to the left here is another of the things I may find myself missing: Sydneysiders take their coffee pretty seriously, and even the little shop on the corner at the top of our street, which treated me to this casual masterpiece, seems to take pride in serving damned good stuff that looks great too. Sure this "large flat white" (which is the size of a regular cap) costs 4 bucks easy, but hey, I'll support this barista artist in a heartbeat. On the other hand, the patisserie a little further up the street has pretty good-looking croissants for sale, but I haven't had any yet--not for $5.50 to eat in, $4.80 to take away!
My ducklings are supposedly hard at work on their end of term projects--Friday is the last day of class, and they have to be out of their apartments and homestays on Saturday, and this picture here shows a recent class session where I had the groups of three reading and commenting on each others' draft reports using a web form I developed for my Business and Tech Writing classes back home. I was able to wangle a computer classroom at Australian Catholic Uni, and was able to adapt my patented routine to the unfamiliar surroundings (a PC lab instead of Macs, a class that had been meeting in conventional classrooms all term, etc). They did great after a slightly slow start, and I was able to give each group the other groups' comments anonymously within a couple of hours of the finish of the class, thanks to this cool method.
Here's a shot that shows what Alex has been up to, besides driving us slightly crazy. Mostly on his own accord he volunteered for the Jazz Band at Mosman High--this required him taking the initiative since we had only asked that he attend regular band, and he had to ask the jazz band guy to join late. His trombone section mates are both female as you see, and he actually learned a lot of music in a hurry. This gig he was playing at deserves a full post of its own, but you can google the Schools Spectacular and find out about the biggest variety show in the universe.
Mosman's jazz band didn't make the main show, but they were selected to provide entertainment in the foyer both before the show and during intermission. In this area of the hall they probably had an audience of several hundred, maybe more, and they were a LOT better than most of what we have heard back in Berkeley.
They fill this giant auditorium for two shows--in the area of 10,000 spectators--and the quality of the numbers is stunning. Some of these kids go on to win "Australia's Got Talent" and then come back to help guest-host, and from the look of it the dancers and drum corps spent half a year rehearsing. Then the full show is broadcast on New Years Eve, which makes for some odd moments where the emcee asked us to count down and yell "Happy New Year" as if we mean it! Am and I were able to sneak into the matinee by tagging along ("we're with the band"), watching from the side but surrounded by literally hundreds of chorus kids and so on. The level of professionalism was ridiculously high, and though one wondered whether the thing had to go on for three hours, Amelie and I had a whole lot of those dropped-jaw moments as the best high schoolers from all over New South Wales did their thing.
That night late he volunteered that he wished that kids at home didn't talk back to teachers so much, because, in his unprompted words, "we get so much more done in band here, because Mr Hardy doesn't let anyone waste any time." Wow.
Of course there are the obvious things, like the many many different ways in which the Opera House is on my list of the World's Coolest Buildings (this photo was taken on a warm evening when Amelie and I spontaneously decided to take in a Symphony concert in the big hall, and as I waited for her on the esplanade from the ferry terminal I was again struck by how casually wonderful this place is. The sound was great by the way, even from where we were, up in a side area back of the orchestra where we could spy on the percussion section as they busied themselves with the Rachmaninoff 4th Piano Concerto and Tchaikowsky's Manfred. Very cool.
But to the left here is another of the things I may find myself missing: Sydneysiders take their coffee pretty seriously, and even the little shop on the corner at the top of our street, which treated me to this casual masterpiece, seems to take pride in serving damned good stuff that looks great too. Sure this "large flat white" (which is the size of a regular cap) costs 4 bucks easy, but hey, I'll support this barista artist in a heartbeat. On the other hand, the patisserie a little further up the street has pretty good-looking croissants for sale, but I haven't had any yet--not for $5.50 to eat in, $4.80 to take away!
My ducklings are supposedly hard at work on their end of term projects--Friday is the last day of class, and they have to be out of their apartments and homestays on Saturday, and this picture here shows a recent class session where I had the groups of three reading and commenting on each others' draft reports using a web form I developed for my Business and Tech Writing classes back home. I was able to wangle a computer classroom at Australian Catholic Uni, and was able to adapt my patented routine to the unfamiliar surroundings (a PC lab instead of Macs, a class that had been meeting in conventional classrooms all term, etc). They did great after a slightly slow start, and I was able to give each group the other groups' comments anonymously within a couple of hours of the finish of the class, thanks to this cool method.
Here's a shot that shows what Alex has been up to, besides driving us slightly crazy. Mostly on his own accord he volunteered for the Jazz Band at Mosman High--this required him taking the initiative since we had only asked that he attend regular band, and he had to ask the jazz band guy to join late. His trombone section mates are both female as you see, and he actually learned a lot of music in a hurry. This gig he was playing at deserves a full post of its own, but you can google the Schools Spectacular and find out about the biggest variety show in the universe.
Mosman's jazz band didn't make the main show, but they were selected to provide entertainment in the foyer both before the show and during intermission. In this area of the hall they probably had an audience of several hundred, maybe more, and they were a LOT better than most of what we have heard back in Berkeley.
They fill this giant auditorium for two shows--in the area of 10,000 spectators--and the quality of the numbers is stunning. Some of these kids go on to win "Australia's Got Talent" and then come back to help guest-host, and from the look of it the dancers and drum corps spent half a year rehearsing. Then the full show is broadcast on New Years Eve, which makes for some odd moments where the emcee asked us to count down and yell "Happy New Year" as if we mean it! Am and I were able to sneak into the matinee by tagging along ("we're with the band"), watching from the side but surrounded by literally hundreds of chorus kids and so on. The level of professionalism was ridiculously high, and though one wondered whether the thing had to go on for three hours, Amelie and I had a whole lot of those dropped-jaw moments as the best high schoolers from all over New South Wales did their thing.
That night late he volunteered that he wished that kids at home didn't talk back to teachers so much, because, in his unprompted words, "we get so much more done in band here, because Mr Hardy doesn't let anyone waste any time." Wow.
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